Elizabeth Barrett-Browning and W.B. Yeats :: Biography Biographies Essays

Elizabeth Barrett-toasting and W.B. Yeats Elizabeth Barrett-Browning and W.B. Yeats, examined together in the same sitting are as different as the Victorian and Post-Modernist eras they emerged from, yet they were both independent thinkers of their time. Browning, born in 1806 before Victorianism came into full play, was celebrated as a woman poet but also quite conformist to the Victorian movement in some regards. Browning did make use of her familys money to give herself an exceptional education (1858) and she thought outside of traditional lines in regards to gender roles for women as in her verse form morning time Leigh. In this poem, the narrator is a woman which is erratic for that era Place your fecund heart in mine, and let us blossom for the world (1877). It was unusual in the Victorian era - to consider that women added anything substantial to a marriage relationship. Browning was definitely independent in her thinking and in her personal life sentence - defying her father by eloping with Robert Browning late in life (1859). There are other elements of her poetry that are fairly conformist to the Victorian age. Her poem Sonnets from the Portugese describes a courtship that is prudent and in keeping with Victorian age. This form of a sonnet was taken from Shakespeares style, yet another element of Browning stepping into rule formerly only occupied by men (1859). W.B. Yeats, influenced in large part by his free-thinking father, became just that (2322). Yeats poetry contains elements of the mysticism that he studied, whether the retroflex worded meaning of The Second Coming or the reference to Spiritus Mundi in that poem, Yeats defied the religious conformist thinking prevalent at the end of the Victorian era.. In his poem, sailplaning to Byzantium, Yeats takes on the narrative voice of an old man, sailing away from his homeland to Byzantium, where old men stand in Gods holy fire (2332). This reference to Byzant ium, a city of the Roman empire, would not have been considered holy by traditional religious thinking. Yeats borrows from Greek mythology in Leda and the Swan and puts words to a sexually diaphanous tale of a swan raping a girl (2337).